Atomos Ninja RAW Monitor/Recorder
Current Stock:
Ninja RAW: 5-inch HDMI monitor-recorder, camera control & CFexpress
Monitor. Control. Record. Ninja RAW features HDMI input/output, a bright 1500-nit HDR touchscreen, and the ability to record Apple ProRes and ProRes RAW to ultra-fast CFexpress cards or external USB media. It also includes a full range of professional monitoring tools, along with camera control and touch-to-focus support for compatible models. Ideal for content creators using HDMI-equipped DSLR and mirrorless cameras. Camera control with start/stop, ISO, shutter speed, aperture, and white balance adjustment Record Apple ProRes or ProRes RAW directly from the camera sensor to CFexpress Type B media or external USB-C storage Supports ProRes RAW, ProRes RAW HQ, ProRes LT, ProRes 422, and 422 HQ Compatible with leading NLEs, including DaVinci Resolve, Adobe Premiere Pro, Apple Final Cut Pro, and Avid Media Composer Comprehensive professional monitoring tools such as EL Zone™ false color, focus peaking, waveform, and more Unique features like Onion Skin overlay for frame comparison and shot alignment Dual USB-C ports for external storage* or network adapter* (*sold separately) Durable, production-ready build for demanding environments Highly portable — powered by NP-F batteries, USB-C power banks, or DC adapter What's in the box:Atomos Ninja RAW Monitor/Recorder
Dimensions (W x H x D mm)
151mm x 92mm x 36mm
Weight
400gms
Mount points
1 x anti-rotation 1/4-inch / 3/8-inch top and bottom
Ambient operating temperature
Up to 40 degrees Celsius
Body
Aluminium with ABS plastic
Cooling
Actively controlled fan and heat sink
Input voltage
6.2V to 16.8V DC
Operating power
Up to 30W
Multi-function button
Power / lock screen
Continuous power
Via NP-F battery or USB-C PD Power
DC in connector
Via Battery Eliminator (optional)
DTAP
Up to 13W
USB PD IN
45W capable, power supply required
USB PD OUT
Up to 13W
Size
5.2-inch
Resolution
1920 x 1080
Backlight Type
Edge lit
Brightness (cdm2 / Nits)
1500
Aspect ratio
16:9
Color Gamut
Rec.709
Calibration support
Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately)
Colour Pipeline -> Gamma
Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log
Colour Pipeline -> Gamut
BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
Colour Pipeline -> 3D LUT Display
.Cube format
Colour Pipeline -> 3D LUT Down Stream
Loop out
Colour Pipeline -> 3D LUT 50/50
Yes
Colour Pipeline -> Monitoring Modes
Native / HLG / PQ / 3D LUT
Colour Pipeline -> HDR Output Conversion
Log / HDR to HLG / PQ
Video Input -> HDMI
1 x HDMI (2.0) up to 6Kp30
Video Input -> Locking Port
Optional
Video Input -> Wi-Fi
No
Video Input -> USB
2 x USB-C 2.0/3.0
Video Input -> Bit Depth
8/10-bit video
Video Input -> Video Chroma Subsampling
4:2:2
Video Output -> HDMI
1 x HDMI (2.0) up to 6Kp30
Video Output -> Locking Port
Optional
Video Output -> Wi-Fi
No
Video Output -> USB
2 x USB-C 2.0/3.0
Video Output -> Bit Depth
8/10-bit video
Video Output -> Video Chroma Subsampling
4:2:2
Metadata -> HDMI
RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut
Network -> USB
2 x USB-C 2.0/3.0
Connectivity -> Bluetooth
NO
Connectivity -> Lanc
YES
Audio In/Out -> HDMI
8-channel, 24-bit
Audio In/Out -> Analogue Audio Line In
3.5mm headphone jack, 2-channel input
Audio In/Out -> Headphone Out
3.5mm headphone jack, 2-channel
Timecode -> Embedded
HDMI
Timecode -> Time of Day
YES
Timecode -> Reference/ Genlock Input
NO
Timecode -> LTC
NO
Timecode -> Wireless AirGlu RF Server and Client
NO
Timecode -> Wireless AirGlu BT Server
NO
Resolution & Frame Rates (Record, Monitor & Playback) -> RAW
Up to 6Kp30
Resolution & Frame Rates (Record, Monitor & Playback) -> 4K DCI
23.98/24/25/29.9/30/50/59.94/60p
Resolution & Frame Rates (Record, Monitor & Playback) -> 4K UHD
23.98/24/25/29.9/30/50/59.94/60p
Resolution & Frame Rates (Record, Monitor & Playback) -> 2K DCI 2048 x 1080
YES
Resolution & Frame Rates (Record, Monitor & Playback) -> 1080p
23.98/24/25/29.9/30/50/59.94/60/100/120p
Resolution & Frame Rates (Record, Monitor & Playback) -> 1080 PsF
Converted to P and looped out PsF
Resolution & Frame Rates (Record, Monitor & Playback) -> 1080i
50/59.94/60i
Resolution & Frame Rates (Record, Monitor & Playback) -> 720p
50/59.94/60p
Supported Media -> CF Express
Atomos certified CF Express type B media
Supported Media -> USB
Atomos certified USB 3.0 media
Supported Media -> File System
ExFAT
Codecs -> Apple ProRes RAW
ProRes RAW, ProRes RAW HQ
Codecs -> Apple ProRes
LT, 422, 422 HQ
Codecs -> Avid DNxHD
DNxHD 220x, 220, 145, 36
Codecs -> Avid DNxHR
LB, SQ, HQ, HQX
Codecs -> H.265
LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0
Playback -> Playlist
Yes - create customer playlists from full or sub-clips
Playback -> Loop
Yes - with user-customizable in/out markers
Playback -> Apple ProRes RAW
Yes - recorded clips
Playback -> Apple ProRes
Yes - with linear PCM audio
Playback -> Avid DNx
Yes - with linear PCM audio
Playback -> H.265
Yes
Recording -> Pre-roll
ProRes, DNxHD only
Recording -> Timelapse
Yes
Recording -> Simultaneous Proxy Record
Yes
On-screen Monitoring Tools -> Waveform
3 sizes – adjustable opacity & brightness
On-screen Monitoring Tools -> RGB Parade
3 sizes – adjustable opacity & brightness
On-screen Monitoring Tools -> Vectorscope
2 sizes – adjustable opacity & brightness
On-screen Monitoring Tools -> 1 x Zoom
Yes. 1:1 pixel mapping for 4K
On-screen Monitoring Tools -> 2 x Zoom
Yes
On-screen Monitoring Tools -> Focus Peaking
Colour selected / threshold setting / colour / mono / edges only
On-screen Monitoring Tools -> Atomos False Colour
Yes, with scale
On-screen Monitoring Tools -> ARRI False Colour
Yes
On-screen Monitoring Tools -> EL ZONE
Yes
On-screen Monitoring Tools -> Zebra
Yes, adjustable
On-screen Monitoring Tools -> Isolate Colour Channel
Blue only
On-screen Monitoring Tools -> Cine Frame Guides
Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
On-screen Monitoring Tools -> Social Frame Guides
Presets for 9:16, 1:1, 191:1, 4:5
On-screen Monitoring Tools -> Onion Skin
Yes
On-screen Monitoring Tools -> Safe Areas
Action and graphic
On-screen Monitoring Tools -> Grid Markers
9 grid
On-screen Monitoring Tools -> Anamorphic Desqueeze
1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x
On-screen Monitoring Tools -> Display Flip
Vertical only
Onboard Signal Processing -> Pulldown removal
24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
Onboard Signal Processing -> 4K UHD downscale for HD
Loop out - 4K UHD to HD
Onboard Signal Processing -> DCI Crop
Loop out - 17:9 to 16:9 crop
Remote Control -> HDMI
Auto HDMI trigger, supported protocols - Canon, Sony, Atomos
Remote Control -> Serial 2.5mm Jack
Calibration via optional USB to serial cable
Remote Control -> AirGlu BT
No
Remote Control -> AirGlu RF
No
Camera Control -> USB-C
Start/stop recording, ISO, shutter, aperture, frame rate, touch to focus (with supported cameras)