ARRI ALEXA 35 Live Xtreme - Standard Multicam System
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The ALEXA 35 Live Xtreme - Standard System has the capability for HFR (high frame rate) video over SDI for stunning slow-motion images of live events. The standard system contains the basic ingredients of an ALEXA 35 Live Xtreme Camera combined with the ARRI LPS-1 Multicam System plus the ALEXA 35 Multicam Support Set 2 set comprising of the Top Operator Plate TOP-1, Touchdown Base Plate TBP-1, Touchdown Receiver Plate TRP-1 and Live Production Handle LPH-2. Alongside its HFR capabilities, the ALEXA 35 Live Xtreme camera includes the ALEXA 35 Multicam License (Live Painting, Multicam Looks, Multicam Textures and Remote Tally Control), Look License (ARRI Textures, Look Library, Custom Colour Management). Included: Note: KK.0056613 ALEXA 35 Live Xtreme Camera Body set includes ALEXA 35 Xtreme Base Model The ALEXA 35 Live Xtreme – Multicam System is a comprehensive production toolset designed for live content producers, bringing together ARRI’s renowned image quality, precise creative look control, and seamless integration into live production workflows. The system consists of the ALEXA 35 Live Xtreme camera, the Live Production System LPS-1 (Fibre Camera Adapter and Fibre Base Station), and a range of bespoke accessories available in various combinations across different sets. These include the new ARRI Multicam Support Set 2 with Live Production Handle LPH-2, as well as the quick-fit Large Lens Adapter LLA-1 and LLA-1/BUD Slider Plate, which enable fast setup with box lenses. Additional system accessories and add-ons are available separately (see the relevant section at the end of the OSI). The ALEXA 35 Live Xtreme camera comes with the High-Speed License and the new High-Frame Rate SDI License permanently pre-installed. When used with the ARRI LPS-1 Fibre Camera Adapter and Fibre Base Station, the system supports HFR output at speeds of up to 8x in HD or 2x in UHD for input to a slow-motion server. Frame rates of up to 330 fps retain the camera’s full dynamic range of 17 stops, while Sensor Overdrive mode enables frame rates of up to 480 fps at a dynamic range of 11 stops. Regardless of the selected frame rate for the slow-motion feed, the system simultaneously delivers a live feed for broadcast, allowing operators to switch between the program frame rate and the HFR feed in real time. This live feed is generated from one or more of the phases used for high-frame-rate output. Through the LPS-1 web UI, users can adjust the phase combination to best minimise motion blur and shutter effects, helping to match the output to other cameras or adapt it to different production environments. The ALEXA 35 Live Xtreme brings high-speed performance to live entertainment, capturing the emotion and intensity of key moments in stunning slow motion. With HFR output of up to 8x in HD or 2x in UHD, it expands creative possibilities for producers and directors while integrating seamlessly into standard SDI broadcast workflows. By eliminating the need for a separate high-speed camera, ALEXA 35 Live Xtreme ensures that slow-motion footage shares the same distinctive ARRI look as the regular live feed. This delivers a consistent visual style across live coverage, replays, and highlight reels, while allowing engineers, operators, shaders, and directors to work within familiar production workflows. With the High Speed License and new High Frame Rate SDI License permanently installed, ALEXA 35 Live Xtreme integrates easily into existing broadcast environments. Paired with the LPS-1 Fibre Camera Adapter and Fibre Base Station, it delivers HFR output via one or two SDI connections to standard slow-motion playout servers, including EVS and SimplyLive. ALEXA 35 Live Xtreme provides a live broadcast feed alongside its high-frame-rate output, enabling immediate access to super-slow-motion replays without waiting for recorded footage to be prepared for playback. With the LPS-1 Fibre Base Station connecting directly to the playout server, HFR signals are delivered through a straightforward, standard baseband workflow. The simultaneous live feed can be tailored to match the motion characteristics of other standard-speed cameras by blending multiple sensor phases. Adjustable through the LPS-1 web interface, this unique capability allows users to fine-tune motion blur and minimise shutter effects for each production, without affecting the HFR output. The result is a more consistent visual match across all cameras in a multi-camera setup. ALEXA 35 Live Xtreme is part of a comprehensive ARRI live production ecosystem, bringing together cameras, fibre transmission hardware, and dedicated accessories to support the demands of professional multi-camera broadcasting. Designed for straightforward integration into existing workflows, the modular system is available in a range of configurations, from compact entry-level sets to fully equipped broadcast solutions. Multicam System Sets include the ALEXA 35 Live Xtreme camera, while Extension Sets allow existing systems to be expanded with LPS-1 hardware and accessories. Breathtaking slow motion — Capture decisive live moments with cinematic impact. Extreme frame rates — HFR output up to 8x in HD or 2x in UHD. Signature ARRI image quality — Consistent cinematic colour and flattering skin tones across live and slow-motion footage. Standard SDI integration — Compatible with established broadcast workflows and slow-motion servers. Simultaneous live and HFR feeds — Switch between program-speed coverage and high-frame-rate output in real time. Customisable motion blur — Blend sensor phases to match the look of other cameras. Complete multi-camera solution — Modular system sets and accessories for a range of live production requirements. Instant replay potential — Deliver dramatic super-slow-motion moments for live coverage and highlight reels. ARRI ALEXA 35 Live Xtreme - Standard Multicam System
Xtreme Frame Rates via SDI
Consistent Image Quality at High Frame Rates
Seamless Integration into Standard SDI Workflows
Simultaneous Live Feed
Customisable Motion Blur
A Complete Multi-Camera Production System
Sensor Type
Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern colour filter array
Sensor Maximum Number of Photosites and Size
4608 x 3164
27.99 x 19.22 mm / 1.102 x 0.757"
Ø 33.96 mm / 1.337"
Sensor Frame Rates
0.75 - 660 fps
Weight
∼6.3 kg / 13.9 lbs (camera body with PL Mount (Hirose) and Fibre Camera Adapter)
Photosite Pitch
6.075 μm
Sensor Active Image Area (photosites)
4.6K 3:2 Open Gate: 4608 x 3164*
4.6K 16:9: 4608 x 2592*
4K 16:9: 4096 x 2304
3.8K 16:9: 3840 x 2160
3.8K 2.39:1: 3840 x 1608
3.3K 6:5: 3328 x 2790*
2K 16:9 S16: 2048 x 1152
HD 16:9 S16: 1920 x 1080
Sensor Active Image Area (dimensions)
4.6K 3:2 Open Gate: 28.0 x 19.2 mm / 1.102 x 0.756"
4.6K 16:9: 28.0 x 15.7 mm / 1.102 x 0.618"
4K 16:9: 24.9 x 14.0 mm / 0.980 x 0.551"
3.8K 16:9: 23.3 x 13.1 mm / 0,918 x 0.516"
3.8K 2.39:1: 23.3 x 9.8 mm / 0.918 x 0.386"
3.3K 6:5: 20.22 x 16.95 mm / 0.796 x 0.693"
2K 16:9 S16: 12.4 x 7.0 mm / 0.490 x 0.276"
HD 16:9 S16: 11.7 x 6.6 mm / 0.461 x 0.260"
Recording File Container Size (pixel)
4.6K 3:2 Open Gate: 4.6K (4608 x 3164)
4.6K 16:9: 4.6K (4608 x 2592)
4K 16:9: 4K (4096 x 2304), UHD (3840 x 2160), 2K (2048 x 1152), HD (1920 x 1080)
3.8K 16:9: UHD (3840 x 2160)
3.8K 2.39:1: 3.8K (3840 x 1608)
3.3K 6:5: 3.3K (3328 x 2790), 3.8K (3840 x 1608)
2K 16:9 S16: 2K (2048 x 1152)
HD 16:9 S16: HD (1920 x 1080)
Recording File Image Content (pixel)
Identical to Recording File Container Size
Dynamic Range
17 stops
Exposure Index
Adjustable from EI 160 - 6400 in 1/3 stops
Shutter
Electronic shutter, 5.0°- 356° or 1s - 1/8000s
Recording Formats
MXF/ARRIRAW*
MXF/ARRICORE
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 HQ
Recording Media
Codex Compact Drive 1TB (CA08-1024)
Codex Compact Drive 2TB (CB16-2048)
Codex Compact Drive Express 1TB (CP08-1024)
Recording Frame Rates
ARRIRAW 4.6K 3:2 Open Gate: 35 / 80 fps
ARRIRAW 4.6K 16:9: 45 / 95 fps
ARRIRAW 4K 16:9: 55 / 125 fps
ARRIRAW 3.8K 16:9: 65 / 140 fps
ARRIRAW 3.8K 2.39:1: 85 / 190 fps
ARRIRAW 3.3K 6:5 - 3.3K: 55 / 120 fps
ARRIRAW 2K 16:9 S16: 230 / 330 fps
ARRIRAW HD 16:9 S16: 260 / 330 fps
ARRICORE 4.6K 3:2 Open Gate: 80 / 120 / 165* fps
ARRICORE 4.6K 16:9: 100 / 150 / 200* fps
ARRICORE 4K 16:9: 125 / 150 / 210* fps
ARRICORE 3.8K 16:9: 145 / 150 / 240* fps
ARRICORE 3.8K 2.39:1: 195 / 240 fps
ARRICORE 3.3K 6:5 - 3.3K: 120 / 120 / 210* fps
ARRICORE 2K 16:9 S16: 330 / 330 / 660* fps
ARRICORE HD 16:9 S16: 330 / 330 / 660* fps
Apple ProRes 4444 4.6K 3:2 Open Gate: 90 / 120 fps
Apple ProRes 4444 4.6K 16:9: 110 / 150 fps
Apple ProRes 4444 4K 16:9 - 4K: 135 / 150 fps
Apple ProRes 4444 4K 16:9 - UHD: 150 / 150 fps
Apple ProRes 4444 4K 16:9 - 2K: 150 / 150 fps
Apple ProRes 4444 4K 16:9 - HD: 150 / 150 fps
Apple ProRes 4444 3.8K 16:9: 150 / 150 fps
Apple ProRes 4444 3.8K 2.39:1: 210 / 240 fps
Apple ProRes 4444 3.3K 6:5 - 3.3K: 120 / 120 fps
Apple ProRes 4444 3.3K 6:5 - 3.8K 2.39:1 Ana. 2x: 120 / 120 fps
Apple ProRes 4444 2K 16:9 S16: 330 / 330 fps
Apple ProRes 4444 HD 16:9 S16: 330 / 330 fps
Compact Drive 1TB / 2TB, *with Sensor Overdrive
Recording Modes
Standard real-time recording
Pre-recording*
Viewfinder Type
Standard real-time recording
Pre-recording*
Viewfinder Technology
OLED viewfinder display
LCD flip-out monitor
Viewfinder Resolution (pixel)
OLED: 1920 x 1080
Viewfinder Diopter
Adjustable from -5 to +5 diopters
Colour Output
1. ARRI Color Management Display Render Transforms:
- Rec 709
- Rec 2020
- Rec 2100 PQ
- Rec 2100 HLG
2. LogC4
3. Custom Color Management*
Look Control
ARRI Look File ALF-4:
- Import of custom 3D LUT
- ASC CDL parameters (slope, offset, power, saturation)
ARRI Look Library*
ARRI Textures*
White Balance
Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
Color correction adjustable range from -16 to +16 CC
1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
Filters
Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8
Fixed optical low pass, UV, IR filter
Image Outputs
2x VF custom CoaXPress connectors for MVF-2 viewfinder
2x 12G SDI (BNC): 422 1.5G HD, 422 3G HD, 444 3G HD, 422 6G UHD, 422 12G UHD, 444 12G UHD
Lens Squeeze Factors
1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00*
Exposure and Focus Tools
False Color
Zoom
Aperture and Color Peaking
Audio Input
1x LEMO 6pin balanced stereo line in with 12V power output
(line input max. level +24 dBu correlating to 0 dBFS)
Two built-in microphones for scratch audio
With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES)
With LPS-1 Fiber Camera Adapter FCA-1: additional 2x TA3 connectors (MIC/Line, +48 V, AES)
Audio Output
SDI (embedded)
3,5mm stereo headphone jack (on MVF-2)
Audio Recording
4 channel linear PCM, 24 bit 48 kHz
Remote Control Options
"MVF-2 viewfinder as wired remote control with 10m/33ft cable
Camera Control Monitor CCM-1
Camera Companion App
ARRI Electronic Control System (ECS)
Web-based remote control via Ethernet & WiFi (beta version)
Camera Access Protocol (CAP) via Ethernet & WiFi
GPIO interface for integration with custom control interfaces
Skaarhoj Remote Control Panel"
Interfaces
1x LBUS (LEMO 4-pin) for lens motors, daisy chainable
1x SERIAL (LEMO 4-pin) for distance measuring accessories
1x TC (LEMO 5-pin) for timecode In/Out
1x ETH (LEMO 10-pin) for remote control and service
1x SYNC IN (BNC) for Genlock synchronization
1x RET IN (BNC, switchable on SDI 2)
1x USB-C for user setups, look files etc.
1x Rear Interface (18-pin Pogo) for connection of modules and battery adapters
Wireless Interfaces
Built-in WiFi module (IEEE 802.11a/ac/b/g/n/k/r/v)
Built-in White Radio for ARRI ECS lens and camera remote control
Lens Mounts
ARRI LPL Mount (LBUS)
ARRI PL-to-LPL Adapter
ARRI PL Mount (LBUS)
ARRI PL Mount (Hirose)
ARRI EF Mount (LBUS)
Leitz M Mount for ARRI
Flange Focal Depth
LPL mount: 44 mm
PL mount: 52 mm
Power Input
1x PWR (LEMO 8-pin)
1x BAT (camera rear interface / battery adapter)
20.5 - 33.6 V DC
Power Consumption
~ 90 W (Camera body and MVF-2)
Power Outputs
1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse
1x 12 V (LEMO 2-pin) for 12 V accessory power out
1x LBUS (LEMO 4-pin) for lens motors & 24 V power out, daisy-chainable
1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out
1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out
With Power Distribution Module PDM-1: additionally 4x 24 V, 2x 12 V and 1x D-Tap
With LPS-1 Fiber Camera Adapter: additionally 1x 24 V and 3x 12 V
Measurements (HxWxL)
147 x 179 x 365 mm / 6.6 x 7.1 x 14.3"
(camera body, with PL Lens Mount (Hirose) and Fiber Camera Adapter)
Operating Temperature
General:
'-20° C to +45° C / -4° F to +113° F
When using more than 120 fps or more than 90 fps in 4.6K and 3.3K Sensor Modes:
'-20° C to +40° C / -4° F to +113° F
both @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics, IP 51
Storage Temperature
-30° C to +70° C / -22° F to +158° F
Sound Level
< 20 dB(A) at 30fps, recording 4K 16:9, Apple ProRes 4444 XQ, ≤ +30° ambient temperature
Software Licenses
ALEXA 35 Cine Plus License
ALEXA 35 Xtreme ARRIRAW License
ALEXA 35 Xtreme Open Gate/Anamorphic License
ALEXA 35 Xtreme Pre-record License
*Feature requires licensing and is not initially activated in the ALEXA 35 with Base License