Atomos Shinobi 7 II Monitor
Current Stock:
Shinobi 7 II combines a large 7-inch HDR display with a calibrated peak brightness of 2800 nits, while retaining the lightweight, monitor-only functionality of the Shinobi range. Designed for use in even the brightest environments, it can monitor signals up to 4Kp30 via HDMI. Take control of Canon, Fujifilm, Nikon, Panasonic, and Sony cameras via USB-C, as well as Z CAM cameras using an optional USB-C to serial cable. Shinobi 7 II is an ideal director’s monitor, focus puller’s monitor, or program and preview display for video switchers. What's in the box:Atomos Shinobi 7 II 7-inch, 2800nit HDR video photo monitor with camera control
Dimensions (W x H x D mm)
188 mm x 120 mm x 23 mm
Weight
401 g (excluding battery)
Mount points
1 x anti-rotation 1/4-inch / 3/8-inch top and bottom
Ambient operating temperature
Up to 40 degrees Celsius
Body
ABS polycarbonate
Cooling
Passive heat sink
Input voltage
6.2V to 16.8V DC
Operating power
5.8V - 7.2V
Multi-function button
Power / lock screen
Continuous power
Via NP-F battery or USB-C PD Power
DC in connector
Via Battery Eliminator (optional)
DTAP
Up to 13W
USB PD IN
45W capable, power supply required
USB PD OUT
Up to 13W
Size
7-inch HDR screen with a calibrated peak brightness of 2800nits
Resolution
1920 x 1080
Backlight Type
Edge lit
Brightness (cdm2 / Nits)
2800, calibrated peak brightness
Aspect ratio
16:9
Color Gamut
Rec.709
Calibration support
Simple on-device calibration (connect third-party Calibrite probe directly to Shinobi II via USB-C) or use Atomos Calibrator on PC/Mac with Calibrite ColorChecker Display Pro & ColorChecker Display Plus.
Colour Pipeline -> Gamma
Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log
Colour Pipeline -> Gamut
BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
Colour Pipeline -> 3D LUT Display
.Cube format (17 & 33 points supported)
Colour Pipeline -> 3D LUT Down Stream
Loop out
Colour Pipeline -> 3D LUT 50/50
Yes
Colour Pipeline -> Monitoring Modes
SDR Native / HDR HLG / HDR PQ / 709 LUT / User LUT
Colour Pipeline -> HDR Output Conversion
No
Video Input -> HDMI
1 x HDMI (2.0)
Video Input -> Locking Port
Yes
Video Input -> USB
1 x USB-C 2.0/3.0
Video Input -> Bit Depth
8/10-bit video
Video Input -> Video Chroma Subsampling
4:2:2
Video Output -> HDMI
1 x HDMI (2.0)
Video Output -> Locking Port
Yes
Video Output -> USB
2 x USB-C 2.0/3.0
Video Output -> Bit Depth
8/10-bit video
Video Output -> Video Chroma Subsampling
4:2:2
Network -> Ethernet
10GbE over RJ45
Network -> USB
1 x USB-C 3.0
Connectivity -> Lanc
YES
Audio In/Out -> HDMI
8-channel, 24-bit
Audio In/Out -> Analogue Audio Line In
3.5mm headphone jack, 2-channel input
Audio In/Out -> Headphone Out
3.5mm headphone jack, 2-channel
Timecode -> Embedded
HDMI (display only)
Timecode -> Time of Day
YES
Timecode -> Reference/ Genlock Input
NO
Timecode -> LTC
NO
Resolution & Frame Rates (Record, Monitor & Playback) -> 4K UHD
23.98/24/25/29.9/30
Resolution & Frame Rates (Record, Monitor & Playback) -> 2K DCI 2048 x 1080
YES
Resolution & Frame Rates (Record, Monitor & Playback) -> 1080p
23.98/24/25/29.9/30/50/59.94/60
Resolution & Frame Rates (Record, Monitor & Playback) -> 1080 PsF
Converted to P and looped out PsF
Resolution & Frame Rates (Record, Monitor & Playback) -> 1080i
50/59.94/60i
Resolution & Frame Rates (Record, Monitor & Playback) -> 720p
50/59.94/60p
Supported Media -> SD
To update firmware and upload LUTs
Supported Media -> File System
FAT32, NTFS
On-screen Monitoring Tools ->MultiScope Analysis View
Image, WFM, vector, histogram
On-screen Monitoring Tools -> Waveform
3 sizes – adjustable opacity & brightness
On-screen Monitoring Tools -> Histogram
3 sizes – adjustable opacity & brightness
On-screen Monitoring Tools -> RGB Parade
3 sizes – adjustable opacity & brightness
On-screen Monitoring Tools -> Vectorscope
1 size – adjustable opacity & brightness
On-screen Monitoring Tools -> 1 x Zoom
Yes. 1:1 pixel mapping for 4K
On-screen Monitoring Tools -> 2 x Zoom
Yes
On-screen Monitoring Tools -> 4 x Zoom
Yes
On-screen Monitoring Tools -> Focus Peaking
4 modes (color, black & white, outline, edge sharpening) with adjustable outline color & peaking intensity
On-screen Monitoring Tools -> Atomos False Colour
Yes
On-screen Monitoring Tools -> ARRI False Colour
Yes
On-screen Monitoring Tools -> EL ZONE False Colour
Yes
On-screen Monitoring Tools -> Zebra
Adjustable threshold (50% to 105%)
On-screen Monitoring Tools -> Isolate Colour Channel
Blue only
On-screen Monitoring Tools -> Cine Frame Guides
Presets for 2.41, 2.35, 1.91, 1.9, 1.85, 16:9
On-screen Monitoring Tools -> Social Frame Guides
Presets for 9:16, 4:5, 2:3, 1:1, 5:4, 4:3, 3:2
On-screen Monitoring Tools -> Safe Areas
SMPTE safe title area – 93% & 90%
On-screen Monitoring Tools -> Grid Markers
9 grid
On-screen Monitoring Tools -> Anamorphic Desqueeze
2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x
On-screen Monitoring Tools -> Display Flip
Horizontal and vertical
External Device Control -> USB-C
Camera control for supported cameras via USB-C. Controllable functions: White Balance, Shutter Speed, Shutter Angle (if supported by camera), Aperture, ISO, Camera Overlays, Record Indicator, Touch to Focus - see Atomos website for camera model compatibility. USB-C port can also be used with external calibrators (no PC required).
External Device Control -> Serial 2.5mm Jack
Calibration via optional USB to serial cable