Atomos Shogun Ultra
Atomos
£1,198.80
(Inc. VAT)
£999.00
(Ex. VAT)
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Atomos
Atomos Shogun Ultra
ATOMOS SHOGUN ULTRA 7-inch HDR Monitor-Recorder 8K RAW
Shogun Ultra is everything you’d expect from a Shogun: perfect for larger HDMI mirrorless and SDI cinematic cameras and with network connectivity built-in. It’s also your gateway to amazingly fast and productive cloud workflows. Shogun Ultra is Peak Shogun. Opening up a host of ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud, automated matching filenames with popular cinematic cameras and 4K H.265 for instant publishing from the cloud. Atomos’ close partnerships with major camera manufacturers ensure that Shogun Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras.
Shogun Ultra is a leap forward in filmaking technology that captures your vision in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P with full codec flexibility choice between ProRes RAW, ProRes, DNxHD & H.265 (HEVC).
Shogun Ultra has two faces: Local and Cloud. Use it conventionally, and you have an incredible HDR screen, new monitoring tools and both HDMI and 12G SDI. Turn on its wireless and network capabilities, and you have the best-of-breed Wi-Fi, Ethernet and AirGlu wireless sync technology - and you have access to new and productive cloud workflows like camera to cloud and Atomos Edit. You can even edit your project in the cloud and publish directly to social media within minutes of shooting the action.
Shogun Ultra has been built with a new operating system AtomOS 11 that host new and exclusive monitoring and recording features that bring creativity to live in every project, from cinematic to social media. RecordAssist and PlayBackAssist cover pre-arranged or remote shots , while improved false color tools like Arri False Color or EL Zone system fit with today's creators needs. It opens up ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud and 4K H.265 for instant publishing from the cloud, and the SDI Cine feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras. Share what’s on your Atomos screen with other Atomos OS11 users, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with full audio comunication between devices in the included feature Atomos RemoteView*. These new features bring even more versatility to the Shogun Ultra, providing professional I/O options for a multitude of cameras 12G-SDI, AirGlu wireless timecode and control and up to 4K NDI– from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras. Shogun Ultra supports WiFi 6E that boosts cloud video workflows offering more a stable conection. Atomos’ close partnerships with major camera manufacturers ensure that Shogun Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras.
- 7-inch 2000nit monitor-recorder
- Capture in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P
- Flexible codec choice - ProRes RAW, ProRes, DNxHD & H.265 (HEVC) - all for free!
- New AtomOS 11 improves memory management, boosts responsiveness, and unleashes new features
- New monitoring tools to arrange in advance recording and playback with RecordAssist and PlayBackAssist.
- Additional advanced industry leading suite of monitoring tools with one-touch operation like SegmentPro**, EL Zone System, ARRI False color added in combination with other monitoring tools like Vectorscopes, Zebra, Atomos False Color, Onion Skin, etc.
- 12G SDI IN and OUT and HDMI IN and OUT
- Bi-directional HDMI<=>SDI input conversion with simultaneous SDI & HDMI outputs
- Long range ATOMOS AirGlu™ sync technology for wireless timecode via RF and Bluetooth LE
- Connectivity to Atomos Cloud Studio gateway of services
- Dual RAW record for Camera to Cloud workflows - capture up to 4Kp60 ProRes RAW & HDp60 H.265 simultaneously
- SDI Cine new feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras
- Publish directly from the cloud with 4K H.265 Camera to Cloud mode
- 1GbE Ethernet for high-speed robust hardwired network connection
- Faster and stronger connectivity with Wi-Fi 6E
- Share what’s on your Atomos screen with other AtomOS11 users, as well as, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with Atomos RemoteView*.
| Physical Specifications | |
| Dimensions (W x H x D mm) | 198mm x 133mm x 40mm / 7,8" x 5,2" x 1,57" |
| Weight | 730g / 1.6lb (excluding batteries) |
| Mount points | Top: 1 x 1/4"20 or 3/8" with anti rotational points, Bottom: 1 x 1/4"20 or 3/8" with anti rotational points, Right: 1 x 1/4"20 or 3/8" with anti rotational points |
| Environmental | |
| Ambient operating temperature | Up to 40 Degrees Celsius |
| Construction & Control | |
| Body | Aluminium alloy chassis with ABS Polycarbonate back plate |
| Cooling | Actively controlled fan and heat sink |
| Multi-function button | Power / lock Screen |
| Tally light | Yes |
| Power | |
| Input voltage | 6.2V to 16.8V |
| Compatible batteries | 1 x NP-F / L-Series |
| Battery voltage | 7.2V |
| DC in connector | Locking DC Jack (5.5mm OD & 2.1mm ID) |
| D-Tap | Via optional D-Tap to DC cable |
| Display | |
| Touchscreen | SuperAtom IPS panel (capacitive touch) |
| Size | 7” |
| Resolution | 1920 x 1200 |
| PPI | 325 |
| Bit depth | 10-Bit (8+2 FRC) |
| Backlight Type | Edge lit |
| Brightness (cdm2 / Nits) | 2000nit +/-10% |
| Aspect ratio | 16:9 Image Display |
| Color Gamut | Rec.709 |
| Calibration support | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Colour Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, RED LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2, Olympus OM-Log400 / Flat, Leica L-Log |
| Gamut | BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, ARRI Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube Format |
| 3D LUT Output | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native / 709 / HLG / PQ / 3D LUT |
| HDR output Conversion | HLG / PQ |
| Colour Management | |
| Calibration | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Display controls | Backlight, Lift, Gamma, Gain |
| AtomHDR | Built in Technical Log to HDR EOTF |
| 3D luts | Display, monitor and output, Record, Load via SSD |
| Legalize | Input |
| Video Input | |
| HDMI | 1 x HDMI 2.0 |
| SDI | 1 x 12G SDI |
| Bit Depth | 8 / 10 bit |
| Video Chroma Subsampling | YCbCr 420 & 422 |
| HDR | Yes with HDMI Auto detection |
| File Naming | |
| Standard | S/S/T & Rolling |
| Via SDI | RED, ARRI, Canon and Sony |
| Video Output | |
| HDMI | 1 x HDMI 2.0 |
| SDI loop out | 1 x 12G SDI |
| HDR | Yes with Auto detection |
| Audio In/Out | |
| Audio Quality | 24-Bit / 48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24Bit, input dependent |
| SDI | 12ch 24Bit, input dependent |
| Analogue Audio in | 3.5mm Jack - 5v power |
| Analogue Audio Out | 3.5mm Jack |
| Headphone out | 3.5mm Jack |
| Network | |
| Ethernet | 1GbE RJ45 |
| Wi-fi | WI-FI 6E |
| Wireless RF | AirGlu™ SYNC Time code Network |
| Cellular | Connect to Hot Spot via Wi-Fi |
| Web Streaming | |
| RTMP | Yes |
| RTMP / S | Yes |
| Video Signal Conversion | |
| HDMI to SDI | Yes |
| SDI to HDMI | Yes |
| Timecode / Sync | |
| SDI Embedded | Embedded |
| HDMI Embedded | Embedded |
| Time of day | Yes |
| Wireless SYNC | AirGlu SYNC Time code Network Server or Client |
| RF Network range | 300m |
| RF Frequency | Region dependant |
| Number of Channels | 12 RF Channels per Region |
| Number of RF clients | 100 clients |
| Bluetooth Network Range | 10-15m (line of sight) |
| Number of BT clients | 2 clients |
| LTC | |
| Resolution & Frame Rates Maximum (Record, Monitor & Playback) | |
| 8k RAW | up to 8Kp30 Via HDMI |
| 6k RAW | up to 6Kp60 Via HDMI & 6Kp30 SDI |
| 4k RAW | up to 4Kp120 via HDMI / SDI |
| 3.5k Anamorphic RAW | up to 3.5Kp60 via HDMI |
| 2k RAW | up to 2Kp240 via SDI |
| 4k DCI | up to 4Kp60 |
| 4k UHD | up to 4Kp60 |
| 2K DCI 2046 x 1080 | up to 2Kp60 |
| FHD 1920 x 1080 Progressive | up to 1080p120 |
| FHD 1920 x 1080 PsF | Pull down |
| FHD 1920 x 1080 Interlaced | 1080i50 / 1080i60 |
| 1280 x 720p | 60p |
| Recording CODEC | |
| Apple ProRes RAW | up to 12bit 8Kp30 / 4Kp120 |
| ProRes HQ / 422 / LT | up to 4Kp60 |
| Avid DNxHD | up to 1080p60 |
| Avid DNxHR | up to 4Kp60 |
| h.265 | up to 4Kp60 (MOV container) |
| Primary Codec + Proxy Record | ProRes RAW, ProRes, DNx with H.265 |
| Pre Roll | 8 secs HD / 4 secs 4k ProRes & DNx |
| Timelapse | Yes |
| Gang control | SYNC record control |
| Playback | |
| Playlist | Yes, Selected, Favourites or Combined |
| Loop Playback | Yes, with custom in and out points |
| Apple ProRes RAW | Yes, recorded clips |
| ProRes HQ / 422 / LT | Yes with linear PCM |
| Avid DNx HD | Yes with linear PCM |
| Avid DNx HR | Yes with linear PCM |
| H.265 | Recorded clips |
| Monitoring | |
| SDR | Native, 709, LUT |
| HDR | HLG, PQ Rec2020 |
| De-Interlace | Selectable mode |
| Supported media | |
| Interface | SATA 3 – MasterCaddy / SSDmini / CFast II (via adapter) |
| Master Caddy I | No |
| Master Caddy II | Yes |
| Master Caddy III | Yes |
| SSDmini | Yes |
| CFast II | Yes via AtomX CF adapter |
| File System | exFAT |
| On screen tools | |
| Waveform | 3 sizes |
| RGB parade | 3 sizes |
| Vector scope | Small / large |
| 1 x Zoom | Tap to zoom |
| 2 x Zoom | Tap to zoom |
| Focus peaking | Coloured and slider for threshold |
| Zebra | Customisable |
| EL ZONE SYSTEM Colourized Exposure | |
| ARRI False color | |
| Atomos False color | With IRE scale |
| Isolate color channel | Blue only |
| Cine Frame Guides | Preset and Custom |
| Social Frame guides | Preset and Custom |
| Safe areas | SMPTE frame size – Action and Safe |
| Grid markers | 9 grid |
| Frame Grab and Onion skin overlay | Lossless PNG 1920 x 1080 |
| Anamorphic desqueeze | Display 1.25x, 1.33x, 1.5x, 1.8x and 2x |
| Display Flip | vertical |
| Onboard Signal Processing | |
| RAW to Video loop out | Yes, conversion from Larger Resolutions to 4k |
| 4K UHD downscale for HD | Yes, menu enabled |
| DCI Crop | Yes, menu enabled |
| I > P | 2:2 and 3:2 |
| PSF > P | 2:2 and 3:2 |
| Remote control | |
| Bluetooth LE | via AtomControl App |
| External Device Control | |
| Serial 2.5mm Jack | Remote to USB – Z CAM |
| Supported Applications | |
| XML – Cut, Tag & Edit | Final Cut Pro |
| Apple ProRes Raw | Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH |
| Apple ProRes | All Applications with support for Apple ProRes in .MOV wrapper |
| Avid DNx | All Applications with support for Avid DNX in .MOV wrapper |
| What’s in the box | |
| Accessories included | Shogun Ultra, 1 x USB C PD to 2.1mm DC power lead, Master Caddy III, 2 x Wi-Fi antennas, 1 x AirGlu antenna, Antenna tips, 3.5mm to 3.5mm audio sync cable and QuickStart Guide |
| Warranty | |
| Standard | 1 Year |
| Atomos Care360 Enhanced | 2 Year |
